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Nancy becomes silent just after we see the door open on her developing sexuality.In the last and longest of the voices, after updating us on what she has been doing at school, she sighs and confesses, “and I’ve been discovering boys.” Recorded over the course of the 1950s and the early 1960s, “Nancy Grows Up” gives us a beautiful and stimulating portrait of growth.
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Offering a biographical history of development, “Nancy” narrates the phases and stages of a young girl’s early life.
It does so quite successfully and evocatively and achieves a rich unspoken analysis in its juxtaposition of different voices, words, and timbre.
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The plaintive sound only lasts a few moments before the screams drop into a slightly lower register and transform into a calm murmur. and Jill came tumbling …” For the remaining minute and forty-two seconds we hear and follow Nancy.
The sound repeats, then breaks into the rudiments of language. A man helps, playing a game with a familiar rhyme: “Jack and Jill went up the … We listen to her development as a person through a variety of situations: she wishes her father a happy birthday, she lists what she wants for Christmas (“a puppy and a whistle and a horn and a hat and a dress and a ballerina costume”), she explains how to housetrain a dog, and she expresses her feelings about the Russians sending the dog Laika into space.