Classic Essays On Photography

—makes us lose interest, even makes us wish for a photograph every five pages.

Her relentless strictures about photographers, their weapons, and their ubiquitous products amount to verbose graffiti on Plato’s famous walls.

In fact, if is a not-so-merry merry-go-round-and-round.

The Test of Time: The Power of the Photograph What is a photograph?

The simplicity of taking a photograph leads many to ponder its artistic value.

He used his reading of the essays as a stimulus to his own thinking about photography. In this long essay on Sontag’s theoretical writings, Bruss mentions the large number of detractors who find her essays lacking in readability and coherence, as well as far too instinctive to be conclusive. She argues that Sontag’s conclusion is that photography has provided a modern sensibility that was not chosen and with which one cannot argue.

Nevertheless, Bruss finds her essays engaging and thoughtful. “Seeing and Being Seen: A Response to Susan Sontag’s Essays on Photography.” 68, no. Although he finds Sontag’s book to be one of the most insightful contributions to the understanding of photography, Evernden questions her emphasis on the act of photography as basically one of aggression; he suggests that a more pluralistic approach might be more useful. “Only a Language Game.” In helped to initiate a change in the ways in which photographs are made and read by challenging the ultimate value of photography as art and its role as an instrument of knowledge, communication, and culture.

The second nature of a photo carries a ‘deeper meaning,’ which has the ability to change the observer’s mood and cause a reaction. There are a There is clearly an artistic value to this image – it is taken at the location of a massacre of over 200 members of the Great Sioux Nation.

However, did Elliot Erwitt intend a ‘deeper meaning’ for this photograph?

began with a single essay in which Susan Sontag wanted to explore some of the problems, both aesthetic and moral, presented by the omnipresence of photographed images in her culture.

As the essay became more complex and historically expansive, it suggested others, and over five years Sontag eventually wrote a series of essays in which she traced the traditions and meaning of photography.

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