Popular Music Phd Thesis

Popular Music Phd Thesis-85
The deep holdings of the Eda Kuhn Loeb Music Library include a substantial recording archive, and the Isham Memorial Library houses rare original books, scores, and personal archives ranging from the Randy Weston Archive to Sir Georg Solti’s annotated conducting scores.

The deep holdings of the Eda Kuhn Loeb Music Library include a substantial recording archive, and the Isham Memorial Library houses rare original books, scores, and personal archives ranging from the Randy Weston Archive to Sir Georg Solti’s annotated conducting scores.

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Six to eight ethnomusicology courses—usually four seminars and four proseminars or undergraduate classes—are offered each year as part of the regular curriculum.

Graduate seminars explore ethnomusicological methods and theories as they are applied to the study of music, as well as a wide range of issues and materials, while proseminars focus on music styles or distinctive musical settings.

The diverse dissertation projects that our doctoral students propose reflect the unique combination of interests.

Recent and current Ph D topics include microtonality and colonialism in the 19th century, musical forgery and forensics, the practice of recomposition in music theory, Scandinavian death metal, transformation theory and Hollywood film, and musical and visual lines in the early 20th century.

Many of our students establish their interdisciplinary credentials by taking formal qualifications in a secondary field outside of music.

Students receive a solid basis for their research by honing their musicianship and analytical skills, particularly during their first year in the program.

Regular courses on questions in psychology, temporality, history of music theory, hermeneutics, and aesthetics round off our course offerings and often take music theory into interdisciplinary territory.

In addition to studying canonic repertories, graduate courses on challenging repertoires—e.g.

The department also maintains a selection of musical instruments for study and performance, including early keyboards and a consort of viols.

The Mahindra Humanities Center, Film Study Center, Minda de Gunzburg Center for European Studies, Harvard University Center for Italian Renaissance Studies at Villa I Tatti (Florence), Hutchins Center for African & African American Research, David Rockefeller Center for Latin American Studies, Charles Warren Center for the Study of American History, and several other campus institutions provide additional intellectual resources and funding for graduate student research.

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